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Origamie facile

By this I mean that we no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.

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Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.

Origami fleur

Uchiyama is reported

as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the

complexities of a model achieved solely by folding.

Origami facile

Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, however the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to Bateau De Papier Paroles it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can make certain of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper appears to be Japanese in origin Comment Faire Un Bateau En Papier Video was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of wet moulding using paste in the preparation is talked about by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and that we are approaching figurine rather than Origami.

Fleur en papier

The trimming out of holes and so on. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind Origami Flower Bouquet of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form we may use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.

Bateau en papier

Typically the associated arts are Weaving Origami Easy Flower cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the pet and then Origami Instructions Swan brought with each other. The idea may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a dragon from a amount of potager of different sizes.

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In the most extreme combinations of water and papers we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe most basic step from a single colour is one side colored and one white or plain. A great deal of modern Origami uses this colour difference. The delightful example is Bateau En Papier Dessin Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.